Killing Fields
The birthday has come and gone, it's so sad. I only started really enjoying it at about 8.00. Winnie picked me up and we went for Anak Bulan Kampung Wa Hassan. Read all about it!
The play was really good. The fact that it was a true story, that's what I had to come to grips with. It's not a fictional village, it's a real village lost in Singapore's bid to development. It echoes the sentiments we all have about losing our kampungs (village/home town).
I've never had the oppurtunity to really have a kampung, because all my aunts and uncles moved our of the house when they were really young and settled in KL, and after the tragic death of my grandmother, Malacca was only discussed with copious amounts of alcohol involved.
I've been to the houses, and I love the memories they tell me, that still live there. However, they are fraught with pain and to watch the ones I love touch walls gently, tell me this is the window they used to sneak out of with the gardener's son... with tears in their eyes. It's a little too much for me.
Anyway. I identified with this Malaysian grappling for modernity, at the expense of ridding ourself of old traditions, customs, everything. The banning and gradual dying out of the Malaysian art scene due to unchecked religiousity is sad, to say the very least.
I remember having a conversation with this guy, Sham in Zouk. He tells me he loves Eddin Khoo who works with PUSAKA in an effort to preserve mak yong, wayang kulit etc. We had an in-depth conversation one night ignoring the loud thumping beats, frustrated about what was happening.
It was fortunate that Eddin Khoo managed to interview Awang Dollah Baju Merah before he passed on. But the art is dying a painful, wretched death. In my 23 years, I have only seen wayang kulit about 5 times, and I am extremely grateful for that.
My brother barely knows about dikir barat, and those were the songs of my childhood. I was in the dikir barat team, sang syair in class, did pantuns, and now these kids don't even know anything...
I went for a music festival months ago, and they were performing a tarian zapin. I got really excited because we learnt it one year in primary school for a Tunas Puteri performance, and it would be great to watch something I performed again. Much to my dissapointmend it was so bastardised and watered-down it wasn't even funny.
At the end of that night, Sham tells me how much he's enjoyed that conversation and how he's happy we have someone like Eddin to fight the good fight. I echoed his feelings and the rest of the night was spent listening to the pulsating beats in an ultra-modern city, in an ultra-modern club, forgetting.
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Ladytron- Seventeen
